From the program notes of Pien, composed in 1966.
Pien, meaning transformation, is synonymous with the i of I Ching. In philosophy, i evolves from simplicity to complexity, complexity to phenomena, phenomena to its conglomeration and dispersion, and finally invariability.
| Symbol | Explanation |
|---|---|
| Vibrato in slow speed and wide amplitude. | |
| Lower the pitch evenly throughout the duration to the semitone below by lipping. | |
| Bend the pitch evenly to the semitone above or below by sliding (trombone) or rolling (flute), and return to original pitch evenly throughout the indicated duration. | |
| Slow trill on the given note alternating with the harmonic (slightly lower in pitch) on the same note (flute). | |
| Grace note or notes to be attacked an the beginning of the given note value. | |
| Grace note to be played at the end of the given note value. | |
| All note values are only qualitative indications without exact proportional durations; however, the total duration should be as indicated by the measure or rests.
The note values in a bracket should contrast sharply with each other: the quarter very long, the thirty-second extremely short. |
|
| Grace notes to be attacked as soon as possible after the measured note. |
The following metronome marks (given primarily as a reference) represent the four steps (or six sets of two) in the temporal fluctuation:

| 104 | tense — as fast as possible but with clarity |
| 96 | driving — but not tense |
| 88 | deliberate — but not relaxed |
| 80 | relaxed — but not dragging |
All other metronome marks are metric derivatives of the above.